Top Shelf Productions


o.k. then, on to tjc #273

March 18, 2006

As i mentioned a few days ago, i thought the blog would be a great venue for me to spill some thoughts on the second most recent Comics Journal; the one with the Eddie Campbell cover feature, #273. (They are releasing these way too fast for me to keep up.)

First, let me just say up front that i LOVE the Comics Journal. I think it's fair to call the Comics Journal, since the time that Gary Groth bought the Nostalgia Journal about a hundred years ago, was and is the single most important journalistic magazine about the comics medium and business that we've ever seen in North America. It's been coming out consistently for much longer than i've been reading (i started reading in earnest in about 1990 or so), and even when it was suffering its weakest and meanest incarnation (under Milo George, IMHO), with lame interviews, untimely news, and vitriolic reviews, there was still enough going for it to make it downright vital. And now, under the helm of Dirk Deppey, it's reaching towards heights i haven't seen since the Groth years. (Gushing done.)

Issue #273 starts with the ever-lovin' Blood & Thunder, the letters section. Tom Spurgeon (editor of the Comics Reporter), given a chance at the "last word" on a series of critical "report-card" overviews of various comics websites (by news editor Michael Dean) later on in the magazine, shows class by posting his "last word" up front in B&T so that in fact, Michael Dean can have the last "last word" in his own defense. An honorable decision by The Spurg, and indeed his response is very pointed.

(Just for some context; this series of articles were across the board absolutely brutal, accusing each of the websites [including Newsarama, the Pulse, the Comics Reporter, the Beat, and Lying in the Gutters, to name a few] as not living up to Dean's expectations of journalistic integrity as investigative news organs.)

Spurgeon comes out swingin' and in a nutshell blew a gaping hole in Dean's entire conceit (and one to which Dean himself freely admits); which is that not a single of the targets in his reports has ever laid claim to be "investigative" news sources in the first place. Dean then spins large amounts of fuzzy logic (isn't that called Bullshit?) in his defense, and as a result, his wrap up of the entire series has been entirely deflated and rendered all but meaningless.

And THEN, in his introduction to the final segment of "Online Comics Journalism: Does it Exist?," wherein he gives right to the "last word" to the website editors themselves, Dean has the temerity to take that "last word" away from them, by preemptively responding to their responses before the reader even has a chance to read them.

And THIS, in a nutshell, has been my big beef with the Comics Journal since the first issue i ever sat down to; no matter how long an issue may have been been debated (many debates lasting for several issues), and how absolutely wrong or misguided they have been proven to be, they ALWAYS throw in the last word, and NEVER admit to guilt. (It sounds like the Bush Administration, doesn't it? But that's an unfair comparison, since the Comics Journal has never been responsible for so much fuckery and death.)

Every single editor and/or story-writer (who's been the subject of debate) has done it, as far as i can remember. This bias has always left a bad taste in my all these years, beyond journalistic prerogative and leaning towards belligerent.

So anyway, my report card on this series of articles? C-

But then, on the flipside, Michael Dean's first article in the Newswatch section (a self-explanatory piece called "Comics and Corporations: Creativity Under Contract") is superb. A well-researched and well-considered examination of some recently leaked creator contracts, and a bit of reaching back in time to provide context. This is is why i do so love TCJ, in spit of my previous protestations.

And -- oh my!, it's past 2:00 a.m. So tired. Next, i'll start with discussing the Journal Datebook.

See you then.